Happenings
Photographs from the opening of Sedje Hémon, Imran Mir, Abdias Nascimento, Abstracting Parables, 2022. sonsbeek20→24, Stedelijk Museum Amsterdam.
The next stop on the journey of sonsbeek 20→24, the international Arnhem-based art manifestation, will be Stedelijk Museum Amsterdam. This exhibition brings together three historical artistic positions, that of: Dutch-Jewish painter and composer Sedje Hémon, Afro-Brazilian painter, poet, essayist, dramatist and member of Parliament Abdias Nascimento, and Pakistani artist and designer Imran Mir.
The Imran Mir Art Foundation is pleased to announce the recipients of the fourth cycle of the Imran Mir Art Prize, Noormah Jamal and Haider Ali Naqvi. This year we received our highest number of applications so far, making it a particularly competitive year. At the end, the jury decided to jointly award the prize for this cycle and both the artists will have an opportunity for a solo exhibition in 2020 in Karachi.
The Imran Mir Art Prize seeks to recognize emerging art practitioners in Pakistan, who demonstrate extraordinary promise and talent. The prize was instituted in 2014 to honor the legacy of the late artist Imran Mir. For the third cycle of the prize, the Imran Mir Art Foundation collaborated with the Lahore Biennial Foundation, and the award ceremony took place at the historic Lahore Fort during the opening ceremony of the inaugural Lahore Biennial.
The exhibition Colours and Lines in Motion brings together three abstract artists to foster a dialogue spanning an arc from the mid-twentieth century to the recent past. A concentration on colours, lines and planes along with the radical rejection of any manner of representationalism describe the narrative thread that is shared by Verena Loewensberg, Imran Mir and Anton Stankowski. All three also have in common their personal exchange with the artist and designer Max Bill. Nonetheless, in each case their works testify to a respectively individual vocabulary of abstraction that fuse local cultural influences and biographical circumstances, but also contemporary history.